and then use delay (phase shift) and parametric EQ to deal with it. Seller assumes all responsibility for this listing. Neither system will "fix" the response but the Peavey will never make it worse.Ī better way is to use some measurement tool that does "transfer function" measurements. Pretty much anything that low is caused by the room itself and you really need to move walls to solve (or other crazy stuff). It also doesn't try to do anything to freqs below 100 Hz nor above 10K. The VSX also uses a RTA to measure but only cuts the peaks and makes no attempts to fill the holes (which it couldn't do anyway). but there aren't many of those and if you had them you probably wouldn't be needing a DSP anyway. Things with corrected phase response would do better. In my tests with a DriverackPA it caused more problems than it helped and usually created some horrific curves that usually included large amounts of extreme treble and bass boosts. If you try you create other problems, distortions and use up valuable power that could actually produce sound somewhere else in the spectrum. Both are like black holes in that you cannot fill them. Holes are almost always caused by phasing problems or absorptions. If the DBX sees a hole it tries to boost to fill it in and if it sees a peak it tries to cut it down. be it a stand alone RTA or the auto function in the DBX. Real time analyzers cannot tell what is causing the problem and see only EQ as the solution.
#DBX DRIVERACK 260 CROSSOVER WINDOWS#
Contractors will appreciate its control inputs for wall-panel logic control and the patent-pending Advanced Feedback Suppression (AFS™).Equalizers are not effective in solving problems caused by phase cancellations or diaphragmatic absorption (like walls vibrating or large glass windows vibrating).
#DBX DRIVERACK 260 CROSSOVER FULL#
The 260 provides full bandpass and crossover configurations as well as independent output processing and a full time RTA for live sound applications. The 260 capitalizes on the road tested and contractor approved nature of the other products in the DriveRack line. With the introduction of the new 260, the heritage of unrivaled system/loudspeaker control continues. The DriveRack products provide the tools that ensure that the system sounds its very best. There is a reason that Tour Sound Professionals and discriminating Audio Contractors choose dbx® DriveRack® products for their high-end tours and installs. These features combined with the Wizard setup system and complete DriveWare™ GUI control represent a methodical design that is guaranteed to deliver optimal, all-inclusive processing in a completely scalable system. This goal has been achieved by offering two independent channels of processing power with a linkable 28-Band Graphic Equalizer, industry-standard dbx stereo compressor module, feedback eliminator and the 120A Subharmonic Synthesizer on the input, with a six channel output system that includes parametric EQs, PeakStopPlus® limiters (to provide protection against speaker blowouts) and alignment delay.
The DriveRack 260 was designed with the purpose and vision of providing state-of-the-art signal processing, while utilizing a simple and intuitive user interface. The DriveRack 260 continues the legacy of DriveRack series, which has been created by the company that has been redefining the standard of signal processing for more than 30 years.
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